The Poetry Project

Valerie Hsiung

An Asian woman with long hair, arms raised making a gesture with her hands of convergence, and a white t-shirt with replicated images of Karl Marx sits on a wooden floor in front of a white brick wall and some plants on a windowsill.

Valerie Hsiung is a poet, interdisciplinary artist, and the author of multiple poetry and hybrid writing collections, including The Naif (Ugly Duckling Presse, forthcoming 2024), The only name we can call it now is not its only name (Counterpath, forthcoming 2023), To love an artist (Essay Press, 2022), selected by Renee Gladman for the 2021 Essay Press Book Prize, outside voices, please (CSU), selected for the 2019 CSU Open Book Prize, Name Date of Birth Emergency Contact (The Gleaners), YOU & ME FOREVER (Action Books), and e f g (Action Books). Her writing has appeared in print (Annulet, BathHouse Journal, The Believer, Chicago Review, digital vestiges, The Nation, New Delta Review), in flesh (Treefort Music Festival, Common Area Maintenance, The Poetry Project), in sound waves (Montez Press Radio, Hyle Greece), and other forms of particulate matter. Her work has been supported by Foundation for Contemporary Arts, PEN America, Lighthouse Works, and public streets and trails she has walked on and hummed along for years. Born in the Year of the Earth Snake and raised by Chinese-Taiwanese immigrants in Cincinnati, Ohio, she now lives in the mountains of Colorado where she teaches as Assistant Professor of Creative Writing & Poetics at Naropa’s Jack Kerouac School of Disembodied Poetics.