“Could I Get Them To Be Me?”: Connection and Possibility in Bernadette Mayer’s Memory, Utopia, and Sonnets — Feminist Reading Group with Laura Henriksen

In a classroom at Naropa in 1978, Bernadette Mayer explained that while putting together her exhibition Memory, she wanted to find out if by moving her reader from behind a book to in front a photograph she took, with her recorded words in their ears, could she get that person to be her? This question addresses, among other things, how connections are made, how intimacy is possible, how information – memories, dreams, confessions, fantasies – is shared through poetry, and what difference it makes.

In this reading group we will follow these and other questions that arise as Mayer’s work guides us across boundaries between the quotidian and the historic, the private and the public, ourselves and everyone else, and in so doing explores how these boundaries are constructed and who they serve and who they don’t. We will think about what this might mean for us as poets and readers of poetry.

We’ll read from Memory, Utopia, and Sonnets, as well as look at Bernadette Mayer’s lists of journal ideas and experiments. We’ll also visit Canada Gallery’s exhibition of Memory, and do some of our own writing. PDFs will be provided!

Laura Henriksen

Laura Henriksen’s work has recently been featured in Poor Claudia’s Crush series, and Fewer and Further Press’s Asterisk series. Her poems and reviews have appeared in or are forthcoming from P-Queue, No, DearThe Brooklyn Rail, and Jacket2. She received her BFA in poetry from Pratt, and is working on her Masters in American Studies at CUNY Graduate Center. Her first chapbook, Agata, is forthcoming from Imp in 2017. In 2018 she will participate in the 92nd Street Y’s annual reading, The Tenth Muse.