In a classroom at Naropa in 1978, Bernadette Mayer explained that while putting together her exhibition Memory, she wanted to find out if by moving her reader from behind a book to in front a photograph she took, with her recorded words in their ears, could she get that person to be her? This question addresses, among other things, how connections are made, how intimacy is possible, how information – memories, dreams, confessions, fantasies – is shared through poetry, and what difference it makes.
In this reading group we will follow these and other questions that arise as Mayer’s work guides us across boundaries between the quotidian and the historic, the private and the public, ourselves and everyone else, and in so doing explores how these boundaries are constructed and who they serve and who they don’t. We will think about what this might mean for us as poets and readers of poetry.
We’ll read from Memory, Utopia, and Sonnets, as well as look at Bernadette Mayer’s lists of journal ideas and experiments. We’ll also visit Canada Gallery’s exhibition of Memory, and do some of our own writing. PDFs will be provided!
This reading group is now full. To be added to the wait list, email Laura at firstname.lastname@example.org.