Keioui Keijaun Thomas is a New York-based artist. She creates live performance and multimedia installations that address blackness outside of a codependent, binary structure of existence. Her performances combine rhapsodic layers of live and recorded voice, slipping between various modes of address, to explore the pleasures and pressures of dependency, care, and support. By centering self and communal care in real-time, Thomas’ practice aims to build bridges of understanding and community. Thomas has presented work both nationally and internationally at The Rhubarb Festival, Toronto (2023); Skopje Pride Queer Arts Festival, Skopje, Macedonia (2020); Dweller Festival, Brooklyn (2020); ANTI – Contemporary Art Festival, Kuopio, Finland (2019); Fierce Festival, Birmingham, UK (2019); Time-Based Art Festival, Portland (2016); Rapid Pulse Performance Art Festival, Chicago (2016); SPILL Festival of Performance, Ipswich, UK (2014); Out of Site Festival, Chicago (2014). Solo performances at The Knockdown Center, New York (2018), Harvard University, Cambridge (2018); Performance Space UK, Folkestone, UK (2016); Housing NY, Brooklyn (2016); and Human Resources, Los Angeles (2015). Select group exhibitions at Performance Space, New York (2019); Wrightwood 659, Chicago (2019); Arnolfini, Bristol, UK (2019); Artists Space, New York (2018); Station Museum of Contemporary Art, Houston (2018); New Museum of Contemporary Art, New York (2018); Human Resources, Los Angeles (2018); Broad Museum, Los Angeles (2017); New Normal, Istanbul and Beirut (2017); Encuentro 2016, Santiago (2016); Centro Cultural del México Contemporáneo, Mexico City (2016); EXPO Chicago, Chicago (2015); Théâtre de la Ville, Paris (2015). Solo exhibitions include No Longer Strange Fruit, JOAN, California (2023),  Come Hell or High Femmes, Wexner Center for the Arts, Ohio (2022); and Hands Up, Ass Out, Participant Inc., New York (2021). Thomas is a 2022 recipient of the MAP Fund, the inaugural winner of the Queer|Art 2020 Illuminations Grant for Black Trans Women Visual Artists, and the Franklin Furnace Fund Recipient for 2018. She earned her Masters degree from the School of the Art Institute of Chicago and her BFA with Honors from the School of Visual Arts in New York.