Adam HajYahia is interested in the relationships between aesthetics and politics; capitalism and desire; negative speculation and contemporary art. Through his work as a writer and curator, he seeks to scrutinize the foreclosures of form and rethink disciplinary and institutional structures and what they can alternatively offer through their makeup. His research examines how practices of image-making, performance, writing, and sound—both within and outside the art market—reflect on, simulate, and initiate sociability and political consciousness.