Nicholas Hauck thinks and practices translation as an embodied encounter between different modes of expression. Current projects explore the interconnectedness of body, text, and performance, specifically as it relates aural/oral experiences (sound poetry, homophonics, non-human sounds). He is the author of L’inhumain poétique (2022) and Walter Benjamin, unessai (2015). He teaches at Brock University: nhauck@brocku.ca