The Poetry Project

now or later or never

Sahar Khraibani

specificity --- fugitivity --- counter-hegemony The unhappiness has to be made alive before anything can happen conjugation of language of bodies of space suspension of chronological imperative i exist in excess of expectation a suspension of certainty beyond myself

chyros/chaos

concurrence + constellation

+ opportunity

for a disjointed trembling being with but not yet arrival continues it persists

history spirals fear of freedom the return discomfort as an aesthetic strategy

it is a tidal problem a problem of tides the question has priority over the answer

is the horizon an enclosure? The unhappiness has to be made alive before anything can happen

BITTER KNOWLEDGE

IMPRINTS ON THE

SHUDDERING OF

THINGS THAT FLEE

INTO THAT OPENING

LEADING TO A RIVER

LEADING TO AN OPEN SEA

it begins again i say there was light i say she can’t handle what she wants i say people can’t handle what they want the most they are found sat at the ecstatic edge of something to be known blue skies ahead the spring is tragically here we can only see violence in its aftereffects it is there, a feeling, a feeling, we saw the sun set at the edge of the park there are these rites that bind us the absurd hero is the one who continues despite knowing the truth the neverending carousel of lust and suffering

FRAIL TOOTH SWIVELS

ROTATES IN THE BACK

OF MY MOUTH LOOKING

FOR ITS PLEASURE

BITTER KNOWLEDGE

IMPRINTS ON THE

SHUDDERING OF

THINGS THAT FLEE

INTO THAT OPENING

LEADING TO A RIVER

LEADING TO AN OPEN SEA

my mother’s grief was primitive and all-encompassing: it sucked the oxygen out of the air

outside, there was in the nighttime air a clarity, a softness and a fullness, a thickness, sweet and sticky, that intensified the magical isolation and that easily became a conduit. imaginings of large meaning

that is: things always ended badly but there was grandeur in the disaster. the point of the romances was precisely that life is tragic

AN OBJECT LESSON

IN LETTING GO

ARMS BROKEN

OVER EMBRACING

CLOUDS THE END

OF SPACE & ITS MIDDLE

EVERYTHING EVEN YOUR

ABSENCE SEEMED POLISHED

AND THE NIGHT THICKENED

i have no one else to blame for this but myself a front row seat to this heartbreak time and time you learn the same lesson in the car i asked how did that feel you say you like a little punishment but it was unclear whose it would be i nod noted filed in the back of the head for some other day to return to

but then where were you when it fell down how long did it take you to get here was it days or weeks and when was it that you decided

I GIVE YOU THIS SEA

OF EBONY GIVE ME BACK

THE BLUE THE SKY BLACK

OCEAN OUR SOUNDING

PORT PLUNGE MY HEAD

FUTILE GROPINGS RESEMBLING

OBSCURE FIELDS SWEETNESS

OF AUTHORITY OF FLESH

INACCESSIBLE BLUE

KEEPS A PLACE GAUCHE

AND WEAK BOTH GOODNESS

AND CRIME THE SUNSET AND

DAWN SHAKE IN THE AIR

WARM AS THE SUN

consumed by a sense of loss so primeval mother had taken all grief into her. everyone’s grief. grief had filled her, and emptied her. a conduit. a remarkable fluidity, sensual and demanding. explosive behavior was common among us, tender comfort a difficulty. a new calendar had begun: the first time it snowed after, the first time it rained, the first green of summer. came into the apartment door, slumped onto the kitchen counter then onto the couch where she instantly sank into a depression she welcomed like a warm bath. it was as though she had worked all day to earn the despair waiting faithfully for her

I CRAVE YOU IN THE MOST

INNOCENT FORM

THICKER THAN PITCH

ALL MY PLEASURES

PACKED TIGHT AND

SWARMING THE BANAL

CANVAS NOT BOLD

ENOUGH TO GUSH

FORTH AM I TO

ABANDON THIS

BOTTOM OF DEEP SEAS

#281 – Summer 2025