Readings for this meeting include: Daphne Brooks, excerpts from “Introduction” and “‘Slow Fade to Black’: Black Woman Archivists Remix Sounds,” from Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (2021); Steve Goodman, “Introduction” from Sonic Warfare (2012); Joselia Rebekah Hughes, “Two Poems” from Apogee Issue 15 (2021); Fred Moten, “Taste, dissonance, flavor, escape (Preface to a Solo by Miles Davis) from Black and Blur (2017); Sandra Ruiz, “Introduction: A Living Colonialism, or Simply, the Aesthetic Life of Ricanness,” from Ricanness: Enduring Time in Anticolonial Performance (2019); and Cecil Taylor Panel Discussion, “The Shape of Jazz to Come,” (1964)
Participants are encouraged to read as much as they can of the readings in advance of the meeting, but also feel free to attend without having read the texts. We will use part of our time together to read portions of the texts out loud and use that as the basis for our discussion.
Facilitated by Curatorial Fellow Ethan Philbrick
This event will take place virtually over Zoom. Registration through The Poetry Project's Eventbrite is required. Zoom links will be shared upon registration, one week before the event, and 24 hours before the event. In an effort to build and hold collective community, we ask that Zoom links not be shared. If you have any questions, have trouble accessing your Eventbrite account, or have trouble accessing Zoom after the event's listed start time, please contact Poetry Project staff directly at firstname.lastname@example.org.
The Poetry Project is committed to making our event programming inclusive and accessible for individuals with different experiences, and are continuously working to improve and expand upon accessibility measures. Our online broadcasts feature live transcription and are presented on broadcasts compatible with most screen readers. If you have a question about either of these resources, or an accessibility measure we haven't described, please contact us at email@example.com.