The Poetry Project

we land in the nite

Noelle de la Paz

we land in the nite
an erasure*

we cut and ran between the blades,
by the intricacy of the leaf-shaped defense. 
we made a break among the wavy-wavy
double-grooved forms of belonging,
and recurved to balance bone—
beautifully, in the manner it is possible
to trace patterns derived from the sea. 

the fulcrum of the jungle 
forms in kindred time

we play through the elaborateness. 
we may be lavished in ornamentation. 
it may be simple, embodied in
hundreds or even thousands of us. 
that makes it ancient, typical, useful
from across the horizon, carried in
the collarbone, the heart, the thorax. 

the parallel edge always has 
a certain curvature which permits

the drawing base is widened, 
an enlargement of the aperture. 
its center is held in the hand. 
thus the writers re-present a record 
made from such material, 
shaped, crests and all, of hours, springs, 
leaves, steel, and blades in the nite.

*The Collection of Primitive Weapons and Armor of the 
Philippine Islands in the United States National Museum 
(1926, Smithsonian Institution, Bulletin 137)
Process, Exhibit A. Highlighting as tracking, hunting; as exploratory, revelatory.
Process, Exhibit A. Highlighting as tracking, hunting; as exploratory, revelatory.
Process, Exhibit A. Highlighting as tracking, hunting; as exploratory, revelatory.
Process, Exhibit A. Highlighting as tracking, hunting; as exploratory, revelatory.
Process, Exhibit A. Highlighting as tracking, hunting; as exploratory, revelatory.
Process, Exhibit B. Tools and tactility; extraction and reintegrative gestures.
Landing, Exhibit C. we, re-membered; in the nite, and what’s (to be) found therein.

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